1. “Barbara Ann” was first recorded by A. The Regents B. The Beach Boys C. The Cadillacs

The Shangri-Las have been cited as an influence on 1970s punk rockers Blondie and the New York Dolls. The group set itself apart from the girl groups of the 1960s by wearing skin-tight slacks and spike-heeled leather boots to promote a tough-girl image. Their first hit, “(Remember) Walking in the Sand,” reached the Top 5 in 1964. Its follow-up, “Leader of the Pack,” was a №1 hit later that year.

“Doctor’s Orders” was recorded on Midland International Records in the US by disco diva Carol Douglas and became a №9 hit on the Hot Soul Singles chart in 1975.

“Disco Inferno” was first recorded as the title track of the Trammps’ 1976 album. Released as a single, “Disco Inferno” only reached №53. When the Philadelphia group’s tune was included in the 1977 film Saturday Night Fever, “Disco Inferno” was re-released and shot up to №1 on Billboard’s Dance Club Songs chart.

“Fame itself, of course, doesn’t really afford you anything more than a good seat in a restaurant,” David Bowie told Performing Songwriter. “I’m just amazed how fame is being posited as the be-all and end-all, and how many of these young kids who are being foisted on the public have been talked into this idea that anything necessary to be famous is all right. It’s a sad state of affairs.”

“Harper Valley PTA” was Jeannie C. Riley’s only pop hit but it made her the first woman to reach №1 on the Billboard Hot 100 and Hot Country Singles charts with the same song.

Perry included “Foolish Heart” on his 1984 album Street Talk, and it reached №18. “The feeling was just basically one of being confused about falling back in love again,” Perry explained to Dick Clark, “because your heart wants to so bad, but your head says, ‘Wait a minute, you’ve done that before and it doesn’t feel good.’

“Missing You” is the №1 single from John Waite’s 1984 album No Brakes. The former frontman of the British band The Babys explained its inspiration in American Songwriting. “I was getting divorced. I was trying to get home because my marriage was in genuine trouble — everything was wrong, and it had been wrong for a while."

Sisters Ann Wilson and Nancy Wilson are the basis of Heart, whose 1986 “These Dreams” became the band’s first №1 hit. With music by Martin Page and lyrics by Bernie Taupin, who was taking time off from working with Elton John, “These Dreams” was turned down by Stevie Nicks and Kim Carnes before it was offered to Heart.

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Murray the K presented the last of his package shows for nine days beginning March 25, 1967, at the RKO 58th Street theater at 154 East 58th Street in Manhattan. Billed as “Music in the Fifth Dimension,” the headliners were Mitch Ryder and Wilson Pickett. “Direct from England” were two bands making their American debuts: The Who and Cream, who were billed as “The Cream.”

In early 1966, Sledge recorded “When a Man Loves a Woman” with some of the area’s finest musicians: Junior Lowe (bass), Spooner Oldham (organ), Roger Hawkins (drums), and Jimmy Johnson (lead guitar). The band was borrowed from Rick Hall’s FAME Studios, where the Muscle Shoals Sound was born.

“She Works Hard for the Money” is the title track of Donna Summer’s 1983 album. Released as the lead single, it was a №1 R&B hit that year. Summer wrote the song with producer Michael Omartian. Its inspiration came after the February 1983 Grammy Awards ceremony when Summer attended a party at Chasen’s restaurant in West Hollywood. Summer and manager Susan Muneo encountered an exhausted restroom attendant named Onetta Johnson.

“Bread and Butter” was a №2 hit in 1964 for the Newbeats: lead singer Larry Henley and brothers Dean and Mark Mathis. The group formed in Shreveport, LA, and was signed by Hickory Records on the strength of a demo of “Bread and Butter.”

“Probably the thing that they had to twist my arm the hardest to do,” Cassidy told Lost 45s, “was ‘Doesn’t Somebody Want to Be Wanted.’

I had 18 sides, 9 bomb records before “Who’s Sorry Now.” So I didn’t think it was going to come. “Who’s Sorry Now” was going to be my last record for MGM. Of course, when Dick Clark played it, it became a hit.

Elton John incorporated elements of Phil Spector’s Wall of Sound production techniques in recording “Step Into Christmas.” “We wanted to make an homage to Phil Spector,” John told the Sunday Post. “Part of what made Phil Spector records were the rooms, the musicians and the ambience.”

The Drifters would place nine records in the R&B Top 10, including the greatest holiday song ever put on vinyl: “White Christmas.”

Things came to a head when one of the Drifters, who had been drinking, argued and cursed at Dr. Jive and Apollo owner Frank Schiffman. Treadwell fired the entire group backstage and offered four of the Five Crowns the opportunity to become the new lineup of the Drifters.

The song was ‘Dancing in the Street’ and it became the Motown anthem “At first, I didn’t like it. But then I thought about my neighborhood and how we’d stay up all night, dancing in the street.”